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2004-2005

       

Matthew Ritchie

     

Sue de Beer

     

Rico Gatson

     

2002-2003

       

National Dance Institute

     

Diller & Scofidio

     

Ellen Harvey

     

Lorna Simpson

     

2001-2002

       

töshöklabs

     

Larry Krone

     

Robert Lazzarini

     

Paul Pfeiffer

     

Kiki Smith

     

2000-2001

       

Vik Muniz

     

Glenn Ligon

     

Barbara Kruger

     

1999-2000

       

Fred Tomaselli

 





 




On April 5, 2001, Artist and Youth: A Dialogue hosted one of the most colorful and expressive artists, Vik Muniz. The dialogue was held in the midst of Muniz's work on display in the Whitney Museum's fifth floor mezzanine, entitled The Things Themselves: Pictures of Dust. And that was exactly what the work was - pictures of dust! Using his delightful imagination, Muniz took dust from the museum's galleries and then using photographs of minimalist sculptors in the collection, reproduced the image on paper with the dust. He then photographed his piece and blew it up to large sizes. The result was giant paper clips, feathers and long strands of hair from museum visitors that ultimately composed Muniz's pieces. The works were very real to life and it is not the first time this artist has worked with such an odd medium; his list goes on to include sugar, cotton, string, and chocolate.


Above: Youth Insights studio visit with Vik Muniz.

Here is an expert from our dialogue with Vik Muniz:

Question: Do you think your copies of the minimalist sculptors are a form of sarcasm?

Answer: I think other artists deserve respect and would never copy a work or art which I do not respect or like. The fact that I do make a copy is for my representation of what it means to me and what it means now to the audience. It is like Leonardo's Last Supper and Andy Warhol's representation of it.

Other Insights by the artist:

  • Muniz says that a picture is not what is on a wall or what is in your brain, rather it is what is in between the two.
  • He comments, "As much as you try to copy art you will add to it, it will always be different then the original no matter what angle you look at it."
  • When his work was at the Metropolitan Museum of Art, he started talking to a group of teenagers who were admiring his work but did not know he was the artist. He approached them as though he had no idea about his work and asked them how they thought Muniz created it. They responded by giving all these different, and rather inaccurate, answers about the process. When he revealed the actual procedure he used, the teenagers simply dismissed his idea as wrong. Muniz says he enjoys getting the audience's different explanations on how they think he made his work.


Above: Vik Muniz with Youth Insights 2000-2001

© 2001 Whitney Museum of American Art, New York, New York