[ Youth 2 Youth ]
 home >  Talking with Artists >  Barbara Kruger





 




2004-2005

       

Matthew Ritchie

     

Sue de Beer

     

Rico Gatson

     

2002-2003

       

National Dance Institute

     

Diller & Scofidio

     

Ellen Harvey

     

Lorna Simpson

     

2001-2002

       

töshöklabs

     

Larry Krone

     

Robert Lazzarini

     

Paul Pfeiffer

     

Kiki Smith

     

2000-2001

       

Vik Muniz

     

Glenn Ligon

     

Barbara Kruger

     

1999-2000

       

Fred Tomaselli

 





 




Barbara Kruger with YI participants.

Youth Insights kicked off the 2000-2001 year with an Artists and Youth: A Dialogue with Barbara Kruger. Held on October 12, 2000, it was an exciting, live event that attracted over a hundred audience members. Many came to partake in a rare opportunity to meet an accomplished artist. Kruger's work was on display that season at the Whitney Museum, but this was not her first appearance at the museum. Her work was seen in three previous Biennials ('73. '85 & '87).

Kruger was very interactive with the audience and gave a glimpse into the depth of her work and expressed many of her opinions about today's society. Barbara Kruger's signature style is the use of billboard-sized work with text and images in three primary colors: red, white and black. Her works often deals with social taboos and stereotypes, using emphatic and clever phrases such as, "I Shop Therefore I am," or "Your Body is a Battleground," to name a few.

Barbara Kruger said, "There are so many ways to make art because to me one of those things that it means to make art is the ability to visualize or write about or make music about your experience of the world. To take what it feels to live the moments of your life and to somehow communicate that through different mediums to another person or other people."

Here are some pieces of the Dialogue with Barbara Kruger along with some phrases from the artist:

BK: You know, the only advice I can give, which I think has been fruitful for me, and I talk about with my friends who are artists, is basically, I would say, to be very vigilant with yourself in terms of what you're doing. To make sure that it's the best that you can do, to try to remember that the only person you're competing with is yourself and to try to be as fluent in what you do as possible.

SHAHRINA: "So what do you think about the future? Do you think that stereotyping is going to increase or decrease or stay the same?"

BK: "I think stereotypes are with us every moment and I think that we have to fight it when we see it in others and fight it in ourselves. Absolutely. And it's a self-assignment we all have to give each other, because that piece downstairs when you first walk out the elevator where you see all those words, those are not pretty words, but they are words that are used to label people, to limit people, to hate people and to kill people. You turn on the T.V. and you see stuff that's going down in the world right this minute in at least seven different places on the globe if not right here in this city based on that fear and hatred."

BK: "There are things that I see that I think are really just rank, that are really bummers, you know, that I really don't agree with, but I am not going to make it disappear. I don't want it to disappear. I think one of the geniuses of this culture is its ability to just allow for difference and God knows we have a lot more difference we're gonna have to allow for because it's really a constant struggle to allow for ideas and thoughts and people who don't look just like you and me or sound just like you and me. That's the constant struggle of this culture."

© 2001 Whitney Museum of American Art, New York, New York